| 000 | 03275nam a2200445 i 4500 | ||
|---|---|---|---|
| 001 | on1179050610 | ||
| 003 | OCoLC | ||
| 005 | 20241120173417.0 | ||
| 008 | 200801t20212019nyu b 001 0 eng c | ||
| 020 |
_a9781984898159 _q(paperback) |
||
| 020 | _a1984898159 | ||
| 035 | _a(Sirsi) i9781984898159 | ||
| 035 | _a(OCoLC)1179050610 | ||
| 040 |
_aYDX _beng _cYDX _dBDX _dZQP _dOCLCO _dOCLCF _dNAM _dOCLCO |
||
| 042 | _apcc | ||
| 043 | _ae-uk--- | ||
| 082 | 0 | 4 |
_a822.3/3 _223 |
| 090 |
_aPR2976 _b.S495 2021 |
||
| 100 | 1 |
_aSmith, Emma _q(Emma Josephine), _eauthor. |
|
| 245 | 1 | 0 |
_aThis is Shakespeare / _cEmma Smith. |
| 250 | _aFirst Vintage Books edition. | ||
| 264 | 1 |
_aNew York : _bVintage Books, a division of Penguin Random House LLC, _c2021. |
|
| 264 | 4 | _c�2019 | |
| 300 |
_a349 pages ; _c21 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 325-337) and index. | ||
| 505 | 0 | _aThe taming of the shrew -- Richard III -- The comedy of errors -- Richard II -- Romeo and Juliet -- A midsummer night's dream -- The merchant of Venice -- 1 Henry IV -- Much ado about nothing -- Julius Caesar -- Hamlet -- Twelfth night -- Measure for measure -- Othello -- King Lear -- Macbeth -- Antony and Cleopatra -- Coriolanus -- The winter's tale -- The tempest. | |
| 520 |
_a"An electrifying new study that investigates the challenges of the Bard's inconsistencies and flaws, and focuses on revealing, not resolving, the ambiguities of the plays and their changing topicality. A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. Now, Emma Smith--an intellectually, theatrically, and ethically exciting writer--takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex, and the Shakespeare she reveals in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean"-- _cProvided by publisher. |
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| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xCriticism and interpretation. |
| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _0(DLC)n 78095332 |
| 648 | 7 |
_a1500-1699 _2fast |
|
| 650 | 0 |
_aEnglish drama _yEarly modern and Elizabethan, 1500-1600 _xHistory and criticism. |
|
| 650 | 0 |
_aEnglish drama _y17th century _xHistory and criticism. |
|
| 650 | 7 |
_aEnglish drama. _2fast _0(OCoLC)fst00910737 |
|
| 650 | 7 |
_aEnglish drama _xEarly modern and Elizabethan. _2fast _0(OCoLC)fst01710950 |
|
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
| 942 |
_2ddc _cBKTMP |
||
| 999 |
_c88 _d88 |
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