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The disasters of war / With a new introd. by Philip Hofer.

By: Language: English Original language: Spanish Publisher: New York : Dover Publications, [1967]Description: 12 pages, 83 plates. ; 21 x 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0486218724
Subject(s): DDC classification:
  • 769/.924
Summary: The strikingly original characterizations and sharply drawn scenes that came to be known posthumously as Los Desastres de la Guerra (The Disasters of War) are among Francisco Goya's most powerful works and one of the masterpieces of Western civilization. Goya's model for his visual indictment of war and its horrors was the Spanish insurrection of 1808 and the resulting Peninsular War with Napoleonic France. The bloody conflict and the horrible famine of Madrid were witnessed by Goya himself, or were revealed to him from the accounts of friends and contemporaries. From 1810 to 1820, he worked to immortalize them in a series of etchings. The artist himself never saw the results. The etchings were not published until 1863, some 35 years after his death. By then, the passions of the Napoleonic era had subsided and the satirical implications in Goya's work were less likely to offend. The Dover edition reproduces in its original size the second state of this first edition, which contained 80 prints. Three additional prints not in the 1863 edition are also included here, making this the most complete collection possible of the etchings Goya intended for this series. The bitter, biting captions are reprinted, along with the new English translations, as are the original title page and preface.
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Item type Current library Call number Status Date due Barcode
Book - training Main Library 769.924 GOY (Browse shelf(Opens below)) Available 2323454567

Translation of Los desastres de la guerra. With 3 extra plates and some new material.

The strikingly original characterizations and sharply drawn scenes that came to be known posthumously as Los Desastres de la Guerra (The Disasters of War) are among Francisco Goya's most powerful works and one of the masterpieces of Western civilization. Goya's model for his visual indictment of war and its horrors was the Spanish insurrection of 1808 and the resulting Peninsular War with Napoleonic France. The bloody conflict and the horrible famine of Madrid were witnessed by Goya himself, or were revealed to him from the accounts of friends and contemporaries. From 1810 to 1820, he worked to immortalize them in a series of etchings.
The artist himself never saw the results. The etchings were not published until 1863, some 35 years after his death. By then, the passions of the Napoleonic era had subsided and the satirical implications in Goya's work were less likely to offend. The Dover edition reproduces in its original size the second state of this first edition, which contained 80 prints. Three additional prints not in the 1863 edition are also included here, making this the most complete collection possible of the etchings Goya intended for this series. The bitter, biting captions are reprinted, along with the new English translations, as are the original title page and preface.